"Surely God, who is present always in each part of His creation, is present in the means to alleviate the sufferings and sicknesses of mankind, mental and physical. As God is sovereign over the 'world' of medicine and healing, and is present in the implements of that 'world' as in the implements of the whole world, so God is present in the methods of public relations, of disseminating His Word (and all words) to mankind. God is sovereign over the 'world' of public relations as over the whole world. (It is to be understood that this implies no negation of demonic influences.) (p. 19) .... The Church in the Age of Publicity is confronted by nothing quite so simple as a choice between 'use' and 'nonuse' of the media of mass communication. we cannot be simply 'for' or 'against' mass media. We find that we must come to grips with the acute problem of 'correct use' and 'misuse' (p. 20)". -- The Age of Publicity: Introduction.
Contents: Acknowledgements / Malcolm Boyd -- Preface / Theodore O. Wedel -- The Age of Publicity: Introduction -- The Church's Evangelical Challenge -- The Weapon of Exploitation -- The Church's Dilemma: To Exploit or Not to Exploit -- Footnotes -- Religious Communication by the Mass Media: Introduction -- Explicit Christian Communication -- Implicit Christian Communication -- Footnotes -- Point of Contact: Introduction -- Where Is the Point of Contact ? -- Experiments in Point of Contact -- Point of Contact in Evangelizing Institutions -- "Personal" Mass Communication -- Footnotes -- A Litany for Christian Communication -- Bibliography -- Index.
Colophon: Made and printed in Great Britain by William Clowes and Sons, Limited, London and Beccles.
"The author, an honored former citizen of Hollywood and long at home in radio, motion-picture and television studios, has become a clergyman in the Episcopal Church and is also the recent recipient of a postgraduate degree in Theology at Union Theological Seminary in New York. He is thus uniquely equipped to deal with the subject of mass communication and its relevance in the life of the contemporary Church". -- Preface.
"Surely God, who is present always in each part of His creation, is present in the means to alleviate the sufferings and sicknesses of mankind, mental and physical. As God is sovereign over the 'world' of medicine and healing, and is present in the implements of that 'world' as in the implements of the whole world, so God is present in the methods of public relations, of disseminating His Word (and all words) to mankind. God is sovereign over the 'world' of public relations as over the whole world. (It is to be understood that this implies no negation of demonic influences.) (p. 19) .... The Church in the Age of Publicity is confronted by nothing quite so simple as a choice between 'use' and 'nonuse' of the media of mass communication. we cannot be simply 'for' or 'against' mass media. We find that we must come to grips with the acute problem of 'correct use' and 'misuse' (p. 20)". -- The Age of Publicity: Introduction.
Contents: Acknowledgements / Malcolm Boyd -- Preface / Theodore O. Wedel -- The Age of Publicity: Introduction -- The Church's Evangelical Challenge -- The Weapon of Exploitation -- The Church's Dilemma: To Exploit or Not to Exploit -- Footnotes -- Religious Communication by the Mass Media: Introduction -- Explicit Christian Communication -- Implicit Christian Communication -- Footnotes -- Point of Contact: Introduction -- Where Is the Point of Contact ? -- Experiments in Point of Contact -- Point of Contact in Evangelizing Institutions -- "Personal" Mass Communication -- Footnotes -- A Litany for Christian Communication -- Bibliography -- Index.
Colophon: Made and printed in Great Britain by William Clowes and Sons, Limited, London and Beccles.
"The author, an honored former citizen of Hollywood and long at home in radio, motion-picture and television studios, has become a clergyman in the Episcopal Church and is also the recent recipient of a postgraduate degree in Theology at Union Theological Seminary in New York. He is thus uniquely equipped to deal with the subject of mass communication and its relevance in the life of the contemporary Church". -- Preface.
Mel Gibson's film has become a surprise hit in the Arab world, among both Muslims and Christians, who often have different motivations for viewing the controversial movie. From ENI.
"Seeking intimations of grace at the movies can be hit-and-miss. ... Four recent movies touch on aspects of grace: three are explicitly Christian in perspective, while the fourth is implicitly grounded in faith. The best of the quartet is 'Paul, Apostle of Christ'." Paul's [James Faulkner] "strength and Luke's [Jim Caviezel] gentleness are admirable without seeming artificial. Solid performances, and a message that feels unforced, combine to pleasing result". "In 'God's Not Dead: A Light in Darkness' a historic church situated on a secular university campus in no longer welcome. .... It suggests that organized religion is under attack by secular foes; but, so far (in the West, at least) that's a hyperbolic premise. .... The writing and cast are uneven ..". "'I Can Only Imagine' is based on the true story of the lead singer for MercyMe, a Christian music band that struck a chord with the song that gives the film its title. It's well-intentioned stuff -- about turning pain to inspiration. But its protagonist (J. Michael Finley's Bart Millard) is dull". "'A Wrinkle in Time', which sends children on a trans-dimensional journey to find their missing father, is a disappointment. .... authenticity is missing here, in a film hampered by inconsistent casting ... an overreliance on effects and a misreading of the story as an action piece, when it is actually anchored in relationships ... It inflates the potency of evil ... And the heart of the story, which is about grace, is neglected ..".
Letter to the editor commenting on the ad to purchase the video "The Passion of the Christ". He recommends the South Park episode in which the cartoons go to see the movie.
A review of "Superman Returns" which notes that it is "replete with Christian symbols and allusions". "[T]he central message of the film is that the world needs a saviour. Humanity is incapable of sustaining itself let alone saving itself. Reinforcing this notion this Superman is an all-seeing, all-hearing superhero. There are visual references to the Cross and even an allusion to death and resurrection. There is no doubt that the man in tights is being presented as a Christ-figure". "Article from Anglican Media Sydney. www.sydneyanglicans.net"